Novyi Sokil is a Ukrainian summer camp hidden away in the forest outside of Buffalo, N.Y. It has been in existence since the 1950s and I, too, was a young camper there. This ongoing personal project examines how the diaspora preserves Ukrainian culture through scouting, rituals and language.
Despite the multiple horrific attempts to cancel Ukrainian culture, the stewards of this camp represent a guiding force in preserving tradition. Through my photographs I study the parcel of land purchased by Ukrainian refugees generations ago so that they would always have a place to convene. It serves almost as a theater set where a changing cast of characters come to immerse themselves in scouting rituals. Attending Plast camp is a rite of passage for young Ukrainians in North America, and like any summer camp, there is fun, friends and bonding. But the tight grasp onto the deliberate, formal, conceptual structure of the scouting rituals, the celebration of the Ukrainian language, and the re-enacting of uniquely Ukrainian customs are part of the fight to hold onto a notion of home, the motherland: Ukraine.
Some history:
In 1912, the Ukrainian Scouting Organization, Plast, was officially formed in the occupied city of Lviv in Western Ukraine. Young boys, spurred by World War One and a newfound freedom, joined Plast and attempted to defend Ukraine against the Red Army. 1918 marked the start of decades of Russian and German occupation where Plast was banned, but continued to operate secretly and illegally. During this time the organization’s fundamental guide, Life in Plast, was written which outlined the laws, regulations, and codes that are still followed today. Plast regained popularity after World War Two, building camaraderie among women and in displaced persons camps as masses of Ukrainians, including my grandparents, re-settled internationally. Eventually, permanent diasporas were established, most of which promoted Plast as an active organization by holding weekly meetings and establishing summer camps.